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Born in Jugenheim (Germany)
Studied at the Art School at the University of Kassel (Germany) and at the Slade School of Fine Art at University College London (M. A.)
Worked in the department of stage design, make-up and sculpture at the State Theatre in Darmstadt (Germany)
2018 Artist in Residence, MuseumsQuartier, Vienna SELECTED EXHIBITIONS AND PERFORMANCES Radical Matter, University of Applied Arts Vienna, Austria (cat.)
2023 Out of Bounds: Japanese Women Artists in Fluxus, Japan Society Gallery, New York City. Mieko Shiomi invited Gerhard Lang to participate in her new version of Spatial Poem No 5, titled Open Event. Lang contributed a performance: The Seeing of Clouds, 17 September 2023 2022 Street Life, Wilhelm-Hack-Museum, Ludwigshafen, Germany (cat.) 2021All the Notes Are There Already, Jason McCoy Gallery, New York City (online) Der Mobile Zebrastreifen (Mobile Zebra Crossing), in: Wunderkammer modern, Stadtmuseum Kassel, Germany 2020 Living the City. An Exhibition about Cities, People and Stories, curated by Lukas Feireiss, Airport Tempelhof, Berlin
2019 Drawings by David Connearn and Gerhard Lang, Galerie Albrecht, Berlin
2018 Gerhard Lang und Rikuo Ueda, Drawing, Schweissbergweg 34, Binningen-Basel, Switzerland
2017City and Otherness, Crossing Border Festival, Hong Kong
2016–17Visus Signatus. Drawings and performances at the Deutscher Wetterdienst (German Weather Service), Offenbach am Main
2016Herwig Turk: Landschaft=Labor (Landscape=Laboratory), invited by Herwig Turk, Museum Moderner Kunst Kärnten (MMKK), Klagenfurt, Austria (cat.)
2015Field Trip No. 7, curated by International Lawns, Domobaal Gallery, London
2013X
Architecture Biennale, São Paulo
2011Invasions, Gallery Carolyn
Heinz, Hamburg
Théorie des Modèles. Art et
science, trop simple, trop complexe, LiveInYourHead,
Espace d´exposition de la Head, Geneva
2009 The Audacity of Imagination,
Gallery Römerapotheke, Zurich
Actions: What you can do with the city, Canadian Centre for Architecture (CCA), Montreal, Quebec (cat.)
Say it isn’t so, Neues Museum
Weserburg, Bremen (cat.) 2005Future Face, National Museum for
Science and Technology, Taiwan (cat.)
2003Evidence, Essor Gallery Project Space, London Head On, Science Museum, London (cat.) 2002 The Second Face, German Museum, Munich (cat.) The Genius of Genetics, St. Thomas Monastery, Brno, Czech Republic (cat.) 2001Phantom-Bilder, Neue Gallerie,
Kassel (cat.) 2000Spectacular Bodies,
Hayward Gallery, London (cat.)
ANIMA-L, Kunstverein, Eislingen, Germany (cat.)
1995Identity and
Otherness, Venice Biennale (cat.)Hong Kong Installation Art
Festival, Hong Kong (cat.)
1989 Looking for
Schlemhil’s Shadow, Museum Fridericianum, Kassel
2019 Phenomenology of a place and performative acting, Faculty of Design, Industrial Design and Communication Design, University of Applied Sciences, Darmstadt
2018 Walking as an artistic medium, University of Applied Art, Vienna
2017-18 Edinburgh College of Art (ECA), Temporality, Entropy, Being, Edinburgh, Scotland
2016-17 Didactics of the picture. At the invitation of and in collaboration with Prof. Dr. Stephan Weyer-Menkhoff, Faculty of Protestant Theology, Johannes Gutenberg-Universität in Mainz
2015-16 Theoretical and practical courses “Ecclesiastical Pedagogy – How do Churches Teach Religion”. The main focus of this programme is on religion and space, religion and art. At the invitation of and in collaboration with Prof. Dr. Stephan Weyer-Menkhoff, Faculty of Protestant Theology, Johannes Gutenberg-Universität in Mainz
2014 “L’intervento minimo”, in the field of Social Design, University of Applied Art in Vienna
2012 “Walking”, Guest Lecturer, Department of Visual and Environmental Studies (VES), Harvard University
2011 Department of Photography, Art School, University of Kassel, Germany
2010 “Phylogeny”, Department of Art, Space and Nature, Edinburgh College of Art (ECA) and the Royal Botanical Garden Edinburgh, Scotland
2009 “Gibellina. Interruption of Continuity”, Faculty for the Study of Architecture, University of Palermo, Sicily, Italy
2009 Department of Photography, Film & Video, School of Design & Media Arts, Napier University, Edinburgh, Scotland
2008 Seminar focusing on landscape aesthetics, Martin Wagenschein's and Maria Montessori's educational concepts, College for Educational Studies, Liestal, Switzerland
2004 Doctoral student course “Raum und Ritual” (Space and Ritual). At the invitation of and in collaboration with Prof. Dr. Stephan Weyer Menkhoff, Johannes Gutenberg-University, Mainz, Germany
2002 Visiting teaching assistant for the BA programme, Central St. Martin’s School of Art, London
SELECTED PRESENTATIONS AND CONFERENCES
2019 Walk May Talk, University of Applied Art, Vienna
2017 International Forum, UIC University, Zhuhai, China
2014 12th Hessian Mobility Congress, Frankfurt am Main
2011 Atkinson Grimshaw, Leeds Trinity University College
2010 Perception of Space, Faculty of Architecture, Jade University, Oldenburg (Germany)
2010 Théorie des Modèles. Art et science, trop simple, trop complexe, College of Art and Design (HEAD), Geneva
2009 The Stephen Bann Effect, Department of History of Art, University of Bristol
2008 W. G. Sebald, University of East Anglia, Norwich
2007 documenta urbana, Art College, University of Kassel
2005 Lichtwiesen – Constructed Landscapes, College for Art and Design, Darmstadt (Germany)
2004 Spaziergangsforscher/Stollologist. A Peripatetic Conference, organized by the Foundation Cusanuswerk, Pirna-Copitz, Swiss Saxony, Germany
2003 Cloud Archeology – a Field of Science not just for Angles, Max-Planck-Institute for Polymer Studies, Johannes Gutenberg-University, Mainz (Germany)
2003 Visual Knowledge, University of Edinburgh
2001 Head On, Wellcome Trust, London
2001 7th Performance Studies Conference, Institute for Theatre Studies, Johannes Gutenberg-University, Mainz
1999 Know Thyself: The Art and Science of the Human Body, Department of the History of Art, University of Oxford, organized by Prof. Martin Kemp and the European Science Foundation
WOLKEN. Von Gerhard Richter bis zur Cloud, Museum Sinclair Haus (Clouds. From Gerhard Richter to the Cloud), Bad Homburg v. d. H. / Stiftung Kunst und Natur, 2023
Street Life, ed. Astrid Ihle and René Zechlin, Hirmer Publishers, Munich, 2022
museum in progress. Art in public spaces and in media – IN ONE END & OUT THE OTHER [ & THEN AGAIN ], ed. by Kaspar Mühlemann Hartl and Alois Herrmann, museum in progress, Verlag der Buchhandlung Walther und Franz König, Cologne, 2021
Living the City, ed. Lukas Feireiss, Tatjana Schneider, TheGreenEyl, Spector Books, Leipzig, 2020
The Landscapes of Dieter Kienast, by Annette Freytag, gta Verlag, Zurich, Switzerland, 2020
Die andere Seite der Wolken. Über Sichtbares und Unsichtbares (The Other Side of Clouds. About the Visible and the Invisible) in: Raumbildungen. Erkundungen zur christlichen Religionspraxis (Creations of Space. An exploration of christian religion practice), hg. Tobias Kaspari, Evangelische Verlagsanstalt, Leipzig, 2018
Transitus, in: aneducation - documenta 14, Archive Books, Berlin, 2018
Nubi Tempora. Cloud Landscapes, German National Meteorological Service, Offenbach am Main, 2017
Unheimlich schön. Stillleben heute (Hauntingly Beautiful. Still Life Today), ed. Christine Wetzlinger-Grundnig, Museum für Moderne Kunst Kärnten (MMKK), Klagenfurt, Austria, 2017
Through the Looking Glass II, in: Herwig Turk: Landschaft=Labor, Verlag für Moderne Kunst, Nuremberg, 2016
Die Verrücktheit des Blicks (Rearranging Perspective), in: Made for Arolsen. Laura J. Padgett and Martina Wolf, ed. Birgit Kümmel and Claudia Scholtz, Museum Bad Arolsen, 2016
Lucius Burckhardt. Why is Landscape Beautiful? The Science of Strollology, ed. Markus Ritter und Martin Schmitz, Birkhäuser Verlag GmbH, Basel, 2015
Der Klimawandel in der Kunst (Climate Change in the Arts), Anna Wiese, Diplomica Verlag, Hamburg, 2013
Lexikon der Raumphilosophie (Dictionary of Philosophy of Space), ed. Stephan Günzel, Wissenschaftliche Buchgesellschaft (WGB), Darmstadt (Germany), 2012
Art and Fear in the Contemporary World, by Caterina Albano, Reaktion Books Ltd, London, 2012
Lucius Burckhardt Writings. Rethinking Man-made Enviroments, ed. Von Jesko Fezer und Martin Schmitz, Springer Wien New York, 2012
Science & Fiction, hg. Barbara von Flüe, edition Fink, Zürich, 2011
Wahrnehmen von Raum (Perception of Space), ed. Holm Kleinmann, Faculty of Architecture, Jade University, Oldenburg, 2010
Actions. What You Can Do With the City, ed. Giovanni Borasi and Mirko Zardini, Canadian Centre for Architecture (CCA) and SUN, 2008
Dorothee von Windheim. Auf der Suche nach (Ab)bildern von Wirklichkeit, by Mona Mollweide-Siegert, VDG Verlag und Datenbank für Geisteswissenschaften, Weimar, 2008
Ways Around Modernism, by Stephen Bann, ed. James Elkins, Routledge Verlag, London/New York, 2007
Say it isn't so, hg. von Peter Friese, Guido Boulboulle und Susanne Witzgall, Neues Museum Weserburg, Bremen, 2007
Überblick – Konstruktionen der Wahrheit, Darmstädter Tage der Fotografie e. V. (ed.), Darmstadt, 2007
Lucius Burckhardt. Warum ist Landschaft schön? (Why is Landscape beautiful?), ed. by Markus Ritter and Martin Schmitz, Martin Schmitz Verlag, Berlin, 2006
Future Face, Sandra Kemp (ed.), National Museum for Science and Technoloy, Taichung (Taiwan), 2006
Gerhard Langs Spaziergänge zu den Wolken, by Susanne Witzgall, and: Gerhard Langs Phantombilder von Wolken, by Lutz Becker and C. N., in: Wolken, Lorenz Engell, Bernhard Siegert and Joseph Vogl (ed.), Archive for Media Studies, Verlag der Bauhaus-University Weimar, 2005
Lichtwiesen - Inszenierte Landschaften, Darmstädter Tage der Fotografie e. V. (ed.), Darmstadt, 2005
The Molecular Gaze, Suzanne Anker and Dorothy Nelkin (ed.), Cold Spring Harbor Laboratory Press, New York, 2004
Das Bild des Menschen in der Fotografie. Die Portraits von Thomas Ruff, by Patricia Drück, Dietrich Reimer Verlag, Berlin, 2004
Kunst nach der Wissenschaft (Art after Science), by Susanne Witzgall, published by the Institut für moderne Kunst Nürnberg, Verlag für Moderne Kunst, Nürnberg, 2004
Luft (Air), Schriftenreihe Forum, Bd. 12, Elemente des Naturhaushalts IV, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland GmbH (ed.), Cologne, 2003
Mined, Masoud Golsorkhi and Andreas Laeufer (ed.), Tank Publications, London, 2003
Kunst und Fotografie (Art and Photography). Floris Neusüss und die Kasseler Schule für Experimentelle Fotografie 1972-2002, Renate Heyne (ed.), Publisher Jonas, Marburg, 2003
Junge Kunst im Kasseler Raum / 2001, Michael Eissenhauer (ed.), Staatliche Museen Kassel / Neue Galerie, Kassel, 2003
Head On, by Catarina Albano, Ken Arnold and Marina Wallace, The Wellcome Trust (ed.), London, 2002
Das Zweite Gesicht / The Other Face, Cornelia Kemp and Susanne Witzgall (ed.), Publisher Prestel, Munich, 2002
Mensch und Natur, von Christoph Goritz, Ernst Klett Schulbuchverlag Leipzig GmbH (ed.), Leipzig, 2002
The Genius of Genetics, Catarina Albano and Marina Wallace (ed.), St. Thomas Kloster, Brno, 2002
Nothing, Graham Gussin and Ele Carpenter (ed.), August Media and Northern Gallery for Contemporary Art, Sunderland, UK, 2001
Spectacular Bodies, by Martin Kemp and Marina Wallace, Hayward Gallery (ed.), University of California Press, Berkeley, Los Angeles, London, 2000
Sehnsuch nach Landschaft?(Losging vor Landscape?), Arbeitsgemeinschaft Worpsweder Kultureinrichtungen (ed.), Worpswede, 2000
The Government, by Gerhard Lang, museum in progress, Oscar Brommer (ed.), extra print of the newspaper Der Standard, Vienna, 2000
Natura Maestra – Über Pflanzen, Tiere, Landschaft und andere Phänomene, by Lucius Burckhardt, in: Künstler als Gärtner, Paolo Bianchi (ed.), Kunstforum international, Bd. 145, Cologne, 1999
Natural Science, Stills Gallery (ed.), Edinburgh, 1998
post naturam - nach der Natur, Gudrun Bott and Magdalena Broska (ed.), Druck und Medienverlag Bielefeld, 1998
John Constable’s Clouds are still passing, by Lucius Burckhardt, Dr. Matthias Hagemann (ed.), Basler Magazin, Nr 13, 1997
Happy End, Marie Luise Syring (ed.), Kunsthalle Düsseldorf and Verlagshaus Wienand, Köln, 1996
ANIMA-L, Kunstverein Eislingen e. V. (ed.), Eislingen/Fils, 1996
Identita e Alterita. Figure del Corpo 1895/1995, Manlio Brusatin and Jean Claire (ed.), Biennale Venedig, 1995
Hong Kong Installation Art Festival, Hong Kong Visual Arts Research Society (ed.), Hong Kong, 1995
Design ist unsichtbar (Design is Invisible), by Lucius Burckhardt, Hans Höger (ed.), Cantz Verlag, Ostfildern, 1995
das Zebra streifen, Helmut Aebischer (ed.), Gesamthochschule Kassel, Department of Town Planning and Landscape Planning, Schriftenreihe Band 20, Kassel, 1994
Palaeanthropische Physiognomie, Gerhard Lang (ed.), Deutsche Fototage, Frankfurt am Main, 1993
Visuelle Kommunikation, Anton Stankowski and Karl Duschek (ed.), Dietrich Reimer Verlag, Berlin, 1989
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Photo: Dieter Schwerdtle (1952-2009), 2002 |